The Shenzhen Furniture Research and Development Institute was founded in 2002, with the Design and Research Center (DEDE) led by Professor Xu Baiming, a visiting scholar from Milan Polytechnic University in Italy and a doctoral supervisor at Nanjing Forestry University. At the 2014 Shenzhen International Furniture Fair, DEDE offered a wide range of services, including market research, strategic design, brand supervision, furniture product design, brand image development, commercial space design, event planning, interface design, and advertising graphic communication. This article presents an in-depth appreciation of DEDE’s latest design concepts.
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This bed screen draws inspiration from the traditional Chinese "lamp hanging chair" technique, incorporating the "two sides of the head" structure, a cirrus-like head, and intricate carvings across the full screen. It also features the unique "rag shoulder" structure found in Ming and Qing dynasty furniture, giving the piece a timeless elegance while maintaining a modern edge. The graceful flower stand, with its cool light and shadow effect, adds a touch of subtle charm and sophistication.
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This sofa is a modern interpretation of classical design. The designer created a sleek, flowing silhouette and integrated elements such as the "Luo Guoxin" curve, ornate back detailing, and a "dwarf" element on the armrest, transforming it into a luxurious classic. Paired with a petal-shaped coffee table and terrazzo walls, the combination of classical and contemporary styles creates a harmonious blend of elegance and simplicity, making it visually striking.
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With the rise of younger generations and the demand for mass production, Chinese furniture is naturally evolving towards modernization, fashion, and industrialization. This set of modern mahogany office furniture embodies that vision. Its clean lines and geometric shapes make it ideal for mechanized production, aligning with today's minimalist and trendy aesthetics. The use of "corset" details under the desk, circular elements on the sides, and "dwarf" motifs between the legs preserve the essence of Ming and Qing craftsmanship while offering a fresh, contemporary look.
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This modern mahogany CEO office furniture reinterprets the classic Ming-style "head-to-head case." The structured "case-shaped" form and symmetrical U-shaped tripod echo the architectural beauty of ancient Chinese structures. With its clean lines, absence of carvings, and elegant touches, this piece exudes a refined and fashionable aura. It marks a new era for Ming and Qing furniture, blending tradition with modernity to appeal to a new generation of design enthusiasts.
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This study combines the charm of traditional Chinese furniture with the simplicity of Scandinavian solid wood design. Elements like the "flat-headed case," "Luoguo" base, elongated "dwarf" details, and precise joinery evoke the spirit of Ming-era craftsmanship. The clean composition, flexible cabinet arrangements, and bright paint colors reflect a contemporary aesthetic, making it both functional and stylish.
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This new Chinese-style office space incorporates the "bucket arch" element from traditional Chinese architecture beneath desks and tables, adding stability and visual interest. The square, well-proportioned design reflects the owner’s authority and taste, while the large-scale "window" patterns introduce a mysterious and classic beauty, balancing strength with elegance.
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Post-modern solid wood furniture has become a major trend in today’s market. This solid wood suite showcases rich forms, layered details, and smooth, flowing lines that create a powerful atmosphere. Building upon the rounded, thick modern solid wood base, it adds exquisite detailing, romantic curves, and local carvings, significantly enhancing the cultural value, decorative appeal, and craftsmanship of modern solid wood furniture.
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